less > more:
iD bachelor projects at the municipal museum leerer beutel, in regensburg, bavaria
iD participants:
aaron vander bee • andreas wagner • anna knaut • benedikt bandtlow • bianca bauer jörg • ina turinsky • jinny martens • jonna breitenhuber • johanna brunner • kevin • konstantin beitsch • laura wittmann • lukas walzer • lukas […]
four from twenty-three design concepts • work in progress of iD bachelor projects at gallery konstantin b., regensburg bavaria:
• konstantin beitsch
• simon budich
• ina turinsky
• laura wittmann
design, as a primary form of artistic invention and expression, embraces not only artifact making, but also the meaning we associate with objects through their shaping of our […]
new york city impressions from a brief moment in time from twenty–nine faculty, friends & iD students of the university of applied sciences regensburg’s department of architecture. participants in this adventure:
andreas völkl • anja lindner • bernhard löffler • catharina hoffmann • christiane hilmer • christine kindermann • daniela deutzer • daniela penagos höck […]
the industrial design program at the university of applied sciences regensburg in conjunction with the municipal government of regensburg collaborated loosely on a design venture which started in the spring of 2015 and ended with an exhibit of student work this week at the new creative forum center called deggingerhaus. among others, the cult of […]
pascale wettenschwiler and i went this week to the cooper hewitt to view the heatherwick exhibit, provocations. what i found to be one the more interesting parts of the rather extensive exhibit was heaterwick’s study for the first double decker bus for london in fifty years. the stairwell artifact / production component, which was placed […]
autumn imagery from basel and zürich in october; people, memories, food, fun, art, objects, architecture & spacial experiences . . .
“edel sei der mensch, hilfreich und gut;denn das allein unterscheidet ihn
von allen wesen, die wir kennen . . .”
johann wolfgang von goethe’s das göttliche
edelmut (gallantry) is a lot different than edelrost (patina), but maybe not as much as we think. goethe also wrote (paraphrased here in english), “the hardest thing to see is that […]
“the act of creation is what distinguishes the artist. where there is no creation, there is no art . . . in art (architecture & design) the genuine creator is not only a gifted being, but someone who has managed to put in order for an ultimate purpose an array of activities, of which the […]
moma’s ps1 has a number of stairways with painterly patinas. although these spaces most likely weren’t intended to be visual experiences, they still convey a wonderful combination of space and ambience transformed through time . . .
