untitled |ˌənˈtītld|
adjective
1 (of a book, composition, or other artistic work) having no name.
2 (of a person) not having a title indicating high social or official rank:
lesser untitled officials.
untitled, number ten . . .
mio: matthew’s inanimate objects. doug’s toy tool set.
the almighty conceived the cactus plant. if god would choose a plant to represent him, i think he would choose of all plants the cactus. the cactus has all the blessings he tried, but mostly failed, to give to man. let me tell you how.
it has humility, but it is not submissive. it grows […]
plzeň design week is a collaboration to enhance design communication and energy between the czech republic with, among others, the german state of bavaria:
plzeň design week 2017
untitled |ˌənˈtītld|
adjective
1 (of a book, composition, or other artistic work) having no name.
2 (of a person) not having a title indicating high social or official rank:
lesser untitled officials.
untitled, number nine . . .
mio: matthew’s inanimate objects. ulrike toaster.
alexander calder graduated in 1919 from stevens institute of technology in hoboken, new jersey with a degree in mechanical engineering. after graduation, he held jobs with an automotive engineer in rutherford, new jersey, and with the new york edison company as a a hydraulic engineer and a draftsman. in 1922, calder found work as a […]
celestial twilight: die blaue stunde . . .
unfortunately there isn’t a correlating english reference to what the germans call, die blaue stunde, but light, color and spacial relationships are all active in the particular place called, meeting. james turrell’s skyspace, meeting, at ps1
you might also want to see james turrell’s […]
painting relates to both art and life. neither can be made.
(i try to act in that gap between the two.)
robert rauschenberg, 1959
an excerpt from the robert rauschenberg foundation below:
rauschenberg foundation
black mountain college (north carolina, 1933–57), an experimental school focused on the collaborative teaching of art and science, served as a home and […]
ettore sottsass,1917–2007:
there are no boundaries between architecture, sculpture, design & painting . . .
auf deutsch:
es gibt keine grenzen zwischen architektur, skulptur, design & malerei . . .
ettore sottsass: rebel & poet, vitra design museum
ettore sottsass: design radical, the metropolitan museum of art
july 20th until september 8 2017:
transformation
galerie konstantin b.
am brixener hof 11
regensburg, bavaria
various works from the iD2 crew and the industrial design program,
department of architectures, at the university of applied sciences regensburg . . .
a special thanks to bernhard löffler for all his support of these efforts . . .
iD2 crew & […]
